Thomas Joshua Cooper's extraordinary journey as a photographer is a testament to his unwavering dedication and unique artistic vision. Born in San Francisco, Cooper has made Glasgow his home since the 1980s, and his impact on the city's artistic landscape is undeniable. His work, characterized by large-format black-and-white landscapes, has taken him to the edges of the world, quite literally.
What makes Cooper's story so captivating is his near-death experiences, a dozen of them, all in pursuit of the perfect shot. From the jungles of South America to the quicksand along the Rio Grande, Cooper's adventures read like a thrilling novel.
The World's Edge
Cooper's long-term project, "The World's Edge," is a testament to his perseverance and artistic obsession. Spanning over three decades, this project resulted in a remarkable collection of photographs capturing the extreme points and locations around the Atlantic Ocean. Cooper is the only artist to have photographed both poles, a feat that showcases his unwavering commitment to his craft.
His unique approach involves using an antique large-format camera from 1898, making just one exposure at each site, and then developing and printing the image by hand. This meticulous process adds a layer of authenticity and intimacy to his work.
A Brush with Death
Cooper's first close call with death occurred in South America, where he found himself in "daunting territory." He described waking up in a tent, sweating and feeling unwell, only to discover a large bug feasting on his thigh. In a panic, he attempted to cauterize the wound with a burning lamp, causing third-degree burns. It was a close call, and one of many such experiences.
Another harrowing incident involved getting trapped in quicksand along the Rio Grande. With a heavy tripod on his back, Cooper faced a life-or-death decision. He ultimately used the tripod to leverage himself out of the quicksand, a testament to his resourcefulness and survival instincts.
A Legacy of Impact
Cooper's impact extends beyond his daring adventures and stunning photographs. He played a pivotal role in establishing the first fine art photography degree course in Europe at the Glasgow School of Art, where he served as the head of photography. His influence on the institution and the city's artistic community is profound.
Professor Penny Macbeth, Director and Principal of The Glasgow School of Art, praised Cooper's contribution, stating, "Through decades of uncompromising practice, he has redefined the relationship between landscape, time, and the photographic image."
Cooper's work exemplifies the fusion of technical mastery, artistic vision, and a deep connection to the natural world. His legacy inspires and challenges photographers and artists alike to push the boundaries of their craft.
